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- The neck heel of the Wiens Auditorium guitar
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- The Wiens Auditorium guitar. Indian Rosewood with Engelmann top
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- The first WIens concert 12-string. This one got scribbled on by WIllie Nelson later on.
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- !2-string peghead.
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- The first Wiens Parlor guitar. Mahogany with rosewood binding. 1999
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- Cross-grain laminated soundhole reinforcement was what I was into back then
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- This one goes to 11.
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- One of my favorite shots of the mahogany Parlor
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- The one & only Wiens 5-string fretless acoustic bass.1999
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- Nice angled Bass shot.
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- 5-string fretless acoustic bass down the fingerboard. .
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- Fretless 5-string bass
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- Ebony tail graft. Highlander pickup jack.
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- 5 string bass. ebony Peghead veneer with a bubinga logo.
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- Ebony strap-pins serve as bridge pins. The string set was pieced together from stand up bass strings.
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- Ebony binding frames the cutaway on the Fretless Bass.
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- This shot shows the 4 distinct sizes of Wiens guitars. 1999
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- Wiens Fretless 5-string bass,Concert 12-string, Rosewood Auditorium, and mahogany Parlor guitar. 1999
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- One of my first 3 dreadnought guitars. This is #2. 1997
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- The back of #2
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- Sitka top of #2 darkening nicely
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- Fine Herringbone on the darkening Sitka Spruce Soundboard of #2
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- Indian Rosewood back & sides with zipper backstrip
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- I didn’t do peghead logos on my first 3 guitars
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- 5-string fretless banjo. Built for a local friend. 1997
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- My first attempt at MOP inlay on the Fretless banjo.
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- Got a bit carried away. Ebony Rim-stick with ivory nameplate.
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- Tried my hand at carving the heel also. 1997
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- My first Commissioned instrument. A neck-through body 5-string bass guitar. 1996
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- the 5 string back. tortoise cover plate.
